Andrew Schulz works regularly on MTV without letting it take time away from the
club scene. The hard-working comic brings his high energy, hard-hitting style to as
many audiences as he can, making them laugh whether they want to or not. Andrew
managed to find a spare few minutes to sit down and talk about stand-up, tv, and what
true heckling really means.
BCT: So how long have you been doing Stand-up?
About 5 and a half years.
BCT: And is that all in New York?
AS: I started in college out in California, Santa Barbara. I was managing a restaurant
while I was going to school, and they just happened to have a comedy night at the
restaurant. The producer of the show asked me if I wanted to try it out and I was like
yeah, I’ll check it.
BCT: And why did you decide to jump across the country to New York.
AS: Well, I loved it. I’ve always been a fan of comedy. When I grew up in the city I
would go to all the clubs, Boston, the Cellar, all these clubs that are still around. I’ve
always loved comedy.
BCT: So you grew up in New York, went to California for college and started there.
Did you stay in California at all after college?
AS: No, I came back to New York a month later. So I did comedy in California for
like a month, and then I came back to New York and I just liked it. I started doing things
at Comedy Village, I did the whole barking thing, asking people on the street, which was
a great way to get stage time. So I got to work with all these guys … I got to know what
it was like to see someone crush. Which is really good for a young comic to see what
that’s like, and not only to see someone crush but to follow someone who’s just crushed
and see what your laughs are compared to their laughs. Cause I was very early into
comedy and on the same shows as Greer Barns, Mike Destefano, you know, these guys
who I’d see just fucking demolish, and you’d know where you were.
BCT: Having those types of people to measure yourself against.
AS: Exactly. It’s different when you do great on a show somewhere with maybe a
few people in the audience, or you get a lot of laughs at an open mike or something like
that … there’s a difference between “killing” and “getting a lot of laughs.” You know?
People use “killing” a lot, I notice. A lot of people say “man, he killed.” And they don’t
know what killing is.
BCT: So what would you say is the difference?
AS: Killing is when the audience is laughing and they don’t have a choice whether to
laugh or not. The laughter shocks them. A lot of times people will laugh and then cover
their face because they didn’t expect it. That’s killing. They make sounds when they
laugh, “Ha!” or girls will snort, because they’re so unaware of the laughter. Laughter’s
organic. Laughter just happens. Laughter can be canned, you know, when you get lead
down this road where you know that this is punchline because there’s a cadence that lets
you know – which there’s nothing wrong with, some of my favorite comics have a
specific joke cadence. But the way those guys would just crush, it was great for me to
see that, because I knew where I was and what I had to do to get there. I wanted those
laughs. I always wanted real laughs, the really hard laughs.
BCT: So crushing is more taking control of the audience?
AS: Not only taking control, but getting them to laugh. You can get an audience to
listen. I know some guys who can always get an audience to listen, that just have that
way, they’re compelling, but they might not crush.
BCT: Do you have a favorite club in New York?
AS: I love the Cellar, Eastville, Stand-up New York, I think these are the top clubs in
BCT: You also go on the road, do you have any big shows coming up outside New
AS: I’m gonna be doing some colleges coming up, going up to Montreal in
BCT: You’re one of the regular guys on MTV’s The Guy Code.
BCT: How did you get into that, and what’s that like?
AS: Oh, I love Guy Code. I just went into MTV, Lauren Zinns, a talent exec, brought
BCT: Did you know her already?
AS: No, I guess she just knew me through something. You know, that’s the industry’s
job, if you’re in the talent possession, is to go find talent. I was fortunate enough that
she saw me and liked me. So she brought me in and I just told her, you know, I’m the
male perspective. That’s what I do. I’m a dude, I’m not … I come from a kind of a
different cloth than a lot of comedians.
BCT: You have a very unapologetic style.
AS: Very unapologetic. Very blunt. I didn’t grown up picked on, shit like that, I’m
just gonna be honest. You know, we all had our hard times, we all struggle, but I don’t
come from the angle of the victim as much just cause that wasn’t my life. But I still love
comedy. Sometimes there’s this idea in comedy that you need to be molested to be
funny, you know what I mean? You need to have all this tragic shit. Just be funny! I
just have my perspective, and I wanted to be the male perspective, this masculine
perspective. I told her that, and then this show came up, and she was like oh shit he’d be
good for it. So she recommended me to Ryan Ling, he’s the guy who created Guy Code,
he auditioned me and then boom, hit!
BCT: And you’ve got some other shows that you were a writer and contributor for.
AS: Well, I wrote on Guy Code, I was on another show on MTV called Hip Hop
Squares, and we just shot another show called Epic Fail. That’s actually a really funny
show, I think that should be coming out in the fall, maybe spring.
BCT: What is that?
AS: Epic Fail is like a panelist show where they go over those crazy fail situations you
see on the internet, mostly pictures. We’ll go over all these mug shots and say “what do
you think was the crime they committed?” and we have a couple comedian panelists.
BCT: You find internet memes and pictures and just Mystery Science Theatre them?
Exactly. Rip em apart.
BCT: Very much like Guy Code, having a bunch of comics –
AS: I would say more like Chelsea Lately. There’s a three comic panel. Think
Chelsea Lately mixed with Tosh.0, but not videos. It’s a funny show. The idea’s good
cause you just have funny people reacting to shit, which is what I like to do. I like to
BCT: So this has all been shot already?
AS: Yeah. I was on two episodes. So I did that, we shot another pilot for MTV 2, I
don’t know if I’m allowed to talk about that. Just did a pilot for FX, this is my first
acting thing, called Bronx Warrants, with a couple other comics, Godfrey and Bobby
Kelly I’m excited about that. Hope that goes to season.
BCT: Is that a cop show?
AS: It is, it’s warrant cops. Basically the guys that, when there’s a warrant for
somebody arrest they go find you. So I have a warrant for my arrest and they come get
BCT: Is that a comedic thing?
AS: It’s funny but it’s not goofy funny. It’s not 30 Rock funny
BCT: More Rescue Me funny?
AS: It’s by the producers of Rescue Me. It’s in the exact same vein, so you have
something that is perceived as a drama. Most of the humor is made by busting balls,
which is kind of my style. I’m not really into, you know, “I’ll pretend I’m not in reality,
you pretend like you’re not in reality and let’s just see what kind of goofy hijinks we can
get into.” You know what I mean? I don’t really get it.
BCT: You also produce some of your own stuff. You did a web series called
AS: Yeah, me and Dan Frigolete did this web series called The Apartmentship with a
really good director named Jeff Carton. That was basically … we shot in this really
beautiful building in Manhattan, and it was kind of like this goofy – not goofy, we tried
to put together this apartment and these strange living situations that you might get into.
It was the first time I was really writing, producing, doing all that stuff. It was fun, and
its out there. Theapartmentship.com, check it out.
BCT: Do you have any plans for recording any comedy albums?
AS: I’d like to, it’s just … my thing is, I care so much about The Funny. You know
what I’m saying? That’s what’s most important to me, is the Funny. That’s our
currency. I put a lot of pressure into creating my persona, and my funny, my angle.
That’s what I can take to places. If I write a really amazing bit I can’t just put that bit
into a tv show that I film, but I can take the persona that I cultivate and put that into a tv
show, put that into Epic Fail, into an interview with David Letterman. So in this game,
I’m five and a half years deep, and every single day I’m chipping away at finding out
what is it about me that’s funny. What is it I do that’s funny? What are the intangible
things that are funny? Anybody can write a joke, that’s why you see unfunny people
have funny jokes. Like, you sit down with some people … I do on the road with some
people and I’m like, this dude has not made me laugh once in two days, how the hell is
BCT: The audiences are laughing?
AS: Cause they’re funny in a very structured, mathematical … there’s a math to
comedy. I could bring you down a road and say something that isn’t true, misdirect you,
and all of a sudden that’s funny, it elicits a laugh. But they might not be funny. My
brother is funny, but he doesn’t do stand-up, it’s just natural. You gotta find that natural.
They say it takes ten years, fifteen years, it’s hours on stage, if you ask me. In the five
and half years that I’ve been doing comedy I’ve probably been on stage more hours than
most comedians in that time. I was just a hog for stage time. That’s what I think matters.
Everybody now thinks they’re a comedian.
BCT: Do you have a problem with that, that pretty much anybody now just puts
something on youtube?
AS: No, go for it. Look, everybody should do comedy just to realize how hard it is.
Stand-up is a thing … everybody’s made someone laugh. People in the office, you’ve
been at your job and made someone laugh. So when you go to a comedy show you
go, “oh, this guy’s making people laugh, well I’ve made people laugh.” When you go to
a basketball game and see someone dunk you don’t go “oh, this guy’s dunking, I’ve
dunked.” You’ve never dunked. Well, I don’t know if you’ve ever dunked.
BCT: I’ve never dunked.
AS: Most people have never dunked, so when they see someone do it it’s amazing.
The way people act at a comedy show, they’re not as in awe as they should be. Cause
there’s a difference between making someone laugh when they weren’t expecting it and
going up in front of a group and saying “I’m funnier than all of you. You guys shouldn’t
talk, I should talk. Now shut the fuck up and laugh when I say things.” That’s a lot of
pressure, to make someone laugh.
BCT: Finally, and speaking of that pressure, can you give me your favorite heckler
AS: I’ve had a lot of them. Like you said, my material is very unapologetic so I have
a lot of situations. I got punched in the face once by a dude in the audience. It was my
first time doing a hood room. There’s a few different scenes here in New York. There’s
the club scene, there’s the alternative scene, and then there’s the black and latino scene.
And the alternative scene is really a copy of the black and latino scene but for white
people. Black and Latinos have been doing these shows in bars for years because they
weren’t getting on at the clubs for whatever reason. They were doing that for years, and
you make more money in that scene at the lower level than you do in any other scene in
the city. The alternative scene started doing that as well, putting on shows in bars and
stuff, but that isn’t anything novel, this is something that blacks and Latinos haven’t been
doing for a while in this city. So this was my first time up in this room called Mocha, I
got up there and I started talking with the crowd and I was messing around with some
guy. I asked if he was Puerto Rican, he said he wasn’t Puerto Rican and I told him that
he was, and he got up – there’s no stage in a lot of these places, just a spot next to the bar
– and I thought he was going to the bathroom but he just came and punched me in the
BCT: Because you called him Puerto Rican?
AS: He said he wasn’t Puerto Rican, I said he was, and he just punched me. Then
somebody grabbed him and threw him out, and then the guy handed me back the
microphone and said “do your thing, man.”
BCT: The guy who’d thrown him out?
Yeah. He was like “finish your set.”
BCT: Did you?
AS: Yeah, it was great, I played off it. I mean the crowd can’t be against you, you’re
very endearing at that point.
BCT: At that point you’ve got the sympathy factor.
AS: Exactly. I’ve had tons of shit, I’ve had candles thrown at me. All these people
and clips you see on the internet where some girl goes “fuck you” and the comic’s
like “how dare you say fuck you during my set.” Until you’ve been assaulted on stage
with fists or actual fire I don’t wanna hear shit about your crazy heckler story. You know
what I mean? I’ve gotten into it. I’ve gotten into it outside of clubs. I remember I had
this one guy wait for me outside the club, going “I didn’t like that joke you said.” I
tossed him into a mailbox. I was furious, I just shoved him into this mailbox, and my dad
was walking up right then. My dad just got there and saw me and was like “Andrew …
how’d the set go?” (Laughing) I’ve had better. The crowd really wasn’t into this one.